A short article from the June 24, 1842 issue of the Brookville, Indiana American noted that Van Buren’s horse carriage, traveling on the National Road, took a tumble (and so did the former commander-in-chief). As the American described:
Martin Van Buren, it is known, always opposed appropriations to the National Road. On his journey west last week he was compelled to travel that road, when it was in its worst situation; and when 10 miles west of Indianapolis the stage upset, and very much injured the Dutchman’s shoulder. We are disposed to believe he will hereafter acknowledge the necessity, if not the justice, of appropriations to that road.
Over the years, Van Buren’s fall evolved into a local legend for the Plainfield community, so much so that a memorial plaque was placed on a boulder near a tree. As with many local stories, the tree has taken on a level of significance. A story by NPR elaborated on the tree’s importance:
The report is of the carriage coming down that hill and gaining speed and gaining speed and then hitting the tree roots here and tipping over. . . .
At the base of the tree was a large mud hole where pigs wallowed. There were two routes to get around it, but the carriage driver deliberately took the rough route knowing the elm’s roots would overturn the carriage and send Van Buren flying into the mud. The plan was executed perfectly. The carriage tipped over, and Van Buren went into the muck, soiling his starched white clothes and filling his boots with thick mud.
That night a mysterious chap partially sawed the underside of the doubletree crossbar of the stage that Van Buren and his party were to travel west in so that it would snap on the first hard pull… When Mr. Van Buren left on Friday morning for Indianapolis, before the stage had gone two miles it was swamped in a mud hole and he had to take it on foot.
Despite the apocryphal nature of the story’s details, the tree’s legendary status nonetheless encouraged the community to install a marker nearby.
First, here is some historical context. After the bombshell revelation of the Zimmerman Telegram on March 1, 1917, in which “German Foreign Minister Arthur Zimmermann promise[d] the return of Texas, New Mexico and Arizona to Mexico as reward for siding with Germany if the U.S. enters the war,” Americans increasingly became pro-war. Then, the breaking point occurred. Exactly a month later, a German U-boat torpedoed an American cargo ship, the S.S. Aztec, in British waters. The next day, April 2, 1917, President Woodrow Wilson addressed a Joint Session of Congress, and called for action to make the world “safe for democracy” (we’ll come back to this phrase later). Wilson’s address likely inspired one of the earliest Abe Martin cartoons about America’s impending involvement in World War I. In the April 2, 1917 issue of the Indianapolis News, Hubbard’s Abe Martin quipped: “What’s become o’ the ole-fashioned patriotic citizen who used t’ say, ‘Well, I didn’t vote for him, but he’s my President jist th’ same’? Actions speak louder’n flags.” Hubbard, through Martin, is expressing an earnest, trusting patriotism that became a common theme for his cartoons during the war.
Congress declared war on Germany four days after Wilson’s address. For the next two and half years, Hubbard’s Abe Martin routinely commented on the war and its influence on the home front. As an example, Hubbard promoted an essential war-time product in his columns, the Liberty Bond. Liberty Bonds were the brainchild of William G. McAdoo, President Wilson’s Secretary of the Treasury, and facilitated a revenue stream for the federal government to finance the war. Within his cartoons, Hubbard encouraged purchasing Liberty Bonds and connected them to patriotism. In a cartoon from May 30, 1917, Hubbard opined that “Talkin’ big an’ flyin’ a flag from your radiator cap won’t keep an army goin’. Buy a Liberty loan bond!” The very next day, the News ran an advertisement for Liberty Bonds, available for purchase from the Fletcher American National Bank, with Hubbard’s passionate call the day before. A year later, another mention of Liberty Bonds emerges in Hubbard’s column. “One o’ th’ best returns from a Liberty bond is an eased conscience,” declared the humorist through his down home alter-ego, Abe Martin.
Hubbard also criticized what he saw as empty forms of patriotism through his Abe Martin cartoons. “Patriotism,” wrote the cartoonist, “that don’t git below th’ neckband, don’t help much t’ win th’ war.” Patriotism in wartime, in Hubbard’s eyes, also manifested itself through sacrifice. “It begins t’ look like we’d all have t’ wait till [former Secretary of State William Jennings] Bryan is President before git our hair cut,” Hubbard penned. Bryan left his post at the State department in 1915 over objections with Wilson’s pro-British support in the Lusitania’s sinking. Conversely, Wilson’s response also led to growing antagonism toward Germany. Hubbard is implicitly saying that until a peace-candidate like Bryan won the presidency and the war came to a close, consumer luxuries like haircuts must be jettisoned. In another cartoon from May 2, 1917, Hubbard wrote that, “It begins t’ look like even th’ feller that kin whittle out a wooden chain will be made t’ feel th’ war.”
Hubbard’s cartoons received national recognition from former Indiana governor, vice president, and jokester in his own right, Thomas Marshall. The News reported on December 19, 1917 that Marshall wrote to Hubbard and noted his precarious position as Vice President:
Dear Kin Hubbard—Not the least among your many admirable qualities is your memory of the needs of a Vice president [sic] to be cheered upon his lonely way. He is supposed not to talk, but the right chuckle is guaranteed to him. As a chucker in the laughter rib you never miss.
I thank God for you and for your friendship.
Despite Marshall’s kind words, Hubbard nonetheless continued his appraisals of American involvement in the war with Abe Martin as his proxy. In an April 12 1918 cartoon, Hubbard wrote that “if the United States would jest wake up an’ take t’ th’ war like it t’ belted overcoats an’ high shoes we’d git on faster.” Another column from May 28, 1918 encouraged leaders to “wait till we win th’ war an’ we’ll all have a banquet.” That doesn’t mean he was unwilling to rhetorically rough up the enemy. A May 2, 1918 piece noted how “th’ only time th’ kaiser’s [sic] six sons ever git in th’ front line is when somebuddy comes along with a camera.”
In the fall of 1918, Hubbard’s Abe Martin Publishing Company released a compendium of Abe Martin cartoons and musings under the title, On the War and Other Musings. Multiple ads for the book ran in the News, particularly during the holiday season. “Hundreds of Abe Martin’s inimitable paragraph’s touching on everything under the sun from sassafras to world peace,” read an ad from December 2, 1918. It was also fairly easy to purchase to book. For the low price of $1.06 ($15.71 in today’s dollars), readers could have their copy shipped to them as long as they were within 200 miles of Indianapolis. It’d be “return to sender” if the postage was farther.
Kin Hubbard’s “Abe Martin” earned him the respect of his readers, political leaders, and the broader general public. His cartoons during World War I showed a commitment to his community, his country, and his craft. Hubbard, through Abe Martin, gave readers a Midwestern, “crackerbarrel” embodiment of the home front: rustic, altruistic, and patriotic. While certainly idealized, Hubbard’s art represented a commonplace, earnest notion of America during the war.
Born in Ohio in 1852, he settled in Indianapolis with his wife in 1874. It was in Indiana that he used his considerable wealth from practicing law and his political acumen to lead the Republican party to victories in numerous elections. In the 1896 election, he served as a key campaign adviser for William McKinley’s presidential run, helping lead it to victory. His success as party leader also ensured a Republican-majority in the Indiana General Assembly, which in turn elected him to the US Senate (State legislatures chose U.S. Senators before the ratification of the 17th Amendment in 1913), a position he held until he was sworn in as vice president on March 3, 1905. Due to personal and ideological differences, Fairbanks found himself isolated in Roosevelt’s administration.
While a serious contender for the Republican presidential nomination in 1908, his prospects ended when the party chose Roosevelt’s hand-picked successor, then Secretary of War William Howard Taft. In 1909, he retired to Indiana and again pursued his law practice, only throwing his hat in the ring one last time in the aforementioned 1916 election.
Known for his stoic and intense persona, Fairbanks’s political peers dubbed him the “Indiana Icicle.” An article in Collier’s magazine echoed this description, describing Fairbanks as “calm, cool, deliberate, [an] educated statesman, wise in counsel, efficient in action.”
His love of his native state was noteworthy. When he left the office of Vice-President his first thought was of doing something that would be of permanent value to Indiana, and at the same time would be an example for the nation. His active and greatly beneficial efforts for forestry development was the result.
He was a real man of high and noble Ideals. His statecraft made him a country-wide figure In public affairs, and his distinguished presence, hie fine courtesy and his safe counsel will be missed by his friends, his party and his country.
Montgomery County, Indiana has a rich, colorful history of newspapers, both in their coverage and the personalities that ran them. In this post, we will share some highlights of this heritage and emphasize some of the papers that are available in Hoosier State Chronicles (HSC).
The earliest paper from Montgomery County in HSC is the Crawfordsville Record. Editor Isaac F. Wade and printer Charles S. Bryant published its first issue on October 18, 1831. As Herman Fred Shermer noted in an article about Montgomery County publishing, the “type and presses for the Record plant were brought by freight wagons from Cincinnati, Ohio” and the cost of the publishing the first issue was approximately $400. While Wade and Bryant intended for the Record’s first issue to arrive in September, they were delayed a month because the printer required a capital “D” for typesetting. Wade, as a good Whig, believed that having that capital “D” was essential, as the paper would regularly refer to “Democrats and the Devil.” The paper ran until 1838, after the death of subsequent publisher William Harrison Holmes. A brief revival of the paper in 1839-40, led by William H. Webb and Henry S. Lane, never regained the paper’s subscription base and it ceased altogether.
The Journal’s Jeremiah Keeney and the Review’s Charles H. Bowen (Stover sold out to Bowen six months after their acquisition) maintained a years-long feud in their respective papers. As a recent article in the Crawfordsville Journal-Review noted, Keeney and Bowen exchanged pointed barbs at each other in the press. Here’s a few additional examples we found in Hoosier State Chronicles. In the June 7, 1855 issue of the Journal, Keeney wrote an editorial called “Clean Streets,” where he commended the public workers who swept the streets but then derided Bowen’s supposed quibble with cleanup. “Count Bowen and his clique are probably the only men in town, who will object to cleanliness, and the protection of shade trees,” Keeney declared. Keeney preferred name for the Review’s editor was “Count Bowen,” likely a jab at his purported leadership status in the town.
Bowen didn’t take insults lightly and routinely shot back at Keeney in the Review. In its October 7, 1865 issue, Bowen slammed Kenney for his comments on Democratic leaders in the county and threw his own rhetorical venom at the Journal’s publisher. Bowen wrote that Keeney’s targets should:
[P]ay no attention to the filthy slang of this poor miserable creature, half idiotic and totally irresponsible, he should be passed by with total indifference and regarded only as a canker, a plague-sore, an embossed carbuncle upon the body of a corrupt and depraved humanity which purity should shun as a pestilence.
Bowen certainly elucidated his point, in the most elaborate way possible. Imagine if these two men were alive today, trading jabs on Twitter or in Facebook comments. Some things don’t change, after all.
Bayless Hanna was seen to-day walking down Main street with his music box, following a one-armed soldier who had a hand-organ in a little boy’s express wagon. The soldier would occasionally stop in front of a business house and play a tune, while Bayless and Rodgers would stare with mouth wide open, at the wonderful machine.
As for Lew Wallace, a post about Montgomery County and newspapers wouldn’t be complete without a quick discussion of its most famous son. Wallace’s tenure during the Civil War received differing perspectives from the Crawfordsville newspapers. This stemmed from Wallace’s own political evolution; he started the war as a Democrat and ended it a Republican. This changed his relationship with the Crawfordsville Review, who held it against him in editorials. For example, a short piece in their May 19, 1866 issue took umbrage with his military assignment during the second French intervention in Mexico.The Review wrote:
Lew Wallace, who has been rusticating in our city for several weeks past, left suddenly for New York a few days since. Rumor has it that he is about to join a filibustering expedition against Mexico. Should he be so unlucky as to suffer capture by the French mercenaries of Maximillian, we trust he may be granted a fair trial before a drum-head court martial. We should regret very much to hear of his being arraigned before a civil tribunal.
Much like with Keeney and Bowen’s feud, the Review‘s strongly-worded opprobrium against Wallace emanated from intense political partisanship.
Outside of the county seat, one of the more interesting Montgomery County papers available in Hoosier State Chronicles is the New Richmond Record. It ran from 1896 until 1924 under the sole ownership and editorship of Edgar Walts. Here’s an account of its publication from the A. W. Bowen’s History of Montgomery County (1913):
It is a six-column, six-page paper, run on a gasoline propelled power press. It is independent in politics, and makes a specialty of as much local news as is possible to furnish its readers with. It circulates in Montgomery, Tippecanoe and adjoining counties. It meets the requirements of the town and with it is connected a good job department.
During its run, the Record often praised its subscribers for continuing to patronize the paper, in a segment called the “Record’s Honor Roll.” The “honor roll” listed all the “new subscribers and renewals to THE RECORD during the past week” from Montgomery County, Indiana, and across the country. His “honor roll” likely helped circulation; by 1920, the Record had a circulation of 500 (for a town whose population was 496, but whose readership likely extended into rural Coal Creek Township and the rest of the county).
In all, Montgomery County’s newspapers often displayed the rough-and-tumble political winds of the nineteenth century, an era whose partisanship and vitriol mirrors our own. It wasn’t, however, the only part of their story. Montgomery County also facilitated forward-thinking pioneers like Mary Hannah Krout, Samuel Coffman, and Edgar Walts. Like much of history, Montgomery County’s heritage of newspapers exemplifies a nuanced, intriguing legacy.
2017 marks the centennial of US entry into World War I. As a part of that commemoration, the Indiana WWI Centennial Committee has planned educational events and programs throughout the year that will unpack the Hoosier State’s involvement in the “Great War.” Here at Hoosier State Chronicles, we thought it would be a great time to share a different side of Indiana culture during this immense, global conflict, in the form of cartoons. John T. McCutcheon and Kin Hubbard are two of Indiana’s most celebrated cartoonists from the era, and in two posts this month for Hoosier State Chronicles, we will share how their art helps us understand how the home front viewed this integral time in world history. The first post covers the “wartime valentines” of John T. McCutcheon.
John T. McCutcheon was a Pulitzer-Prize winning cartoonist for the Chicago Tribune, where he worked for 43 years. Born in South Raub, Tippecanoe County, Indiana on May 6, 1870, McCutcheon grew up “in the rural areas surrounding Lafayette.” He attended Purdue University where he was “a founding member of the University’s first fraternity, Sigma Chi” and the “co-editor of the University’s first yearbook, the Debris.” After graduating college in 1889, he worked as a cartoonist for the Chicago Morning News andRecord-Herald until he moved to the Tribune in 1903. His artistic style mirrored his experiences growing up the Midwest; he developed a character called “A Boy in Springtime” who would appear in front-page pieces having small-town fun with friends and his dog (the dog first appeared in a William McKinley presidential campaign cartoon, and became much beloved by readers). As R. C. Harvey of the Comics Journal noted, McCutcheon’s cartoons were “the first to throw the slow ball in cartooning, to draw the human interest picture that was not produced to change votes or to amend morals but solely to amuse or to sympathize.”
Paralleling his more personable cartoons, McCutcheon partnered with another Hoosier author, George Ade, to create a series of valentines for charity during World War I. The idea originated from the Indianapolis Branch of the American Fund for French Wounded and its contributors were a who’s who of Indiana arts, including Ade and McCutcheon as well as Meredith Nicholson, Kin Hubbard, and William Herschell. As reported in the South Bend News-Times on January 28, 1918, “Prominent Indiana artists and authors this year have been making comic valentines . . . and are guaranteed by those who have seen them to send grins and cheer to soldiers at home and abroad.” The article also outlined the American Fund for French Wounded, noting that “the proceeds will go for furthering the work in France among wounded soldiers and destitute families, which is the committee looking after the funds is carrying on.” Ads even ran in the Indianapolis News to promote the Valentines, published by Charles Mayer & Company, once they were available.
The first valentine in the digital collection, entitled “From Her Mother”, shows a concerned mother writing to a “Mr. Soldier Man” while a variant of McCutcheon’s iconic dog looks on in the background. The photos on and above the desk in the cartoon are important to context, as the photos of the mother’s daughter and her soldier beau face each other longingly, while a portrait of the mother sternly oversees over both of the photos. In the cartoon, the mother’s letter reads:
Mr. Soldier Man.
I can not send what my daughter wrote,
It might set fire to the darned old boat.
– The Night Watch.
The mother’s face shows a concern not only for her daughter’s overly passionate words. McCutcheon’s style of strong lines and warm, humane features also comes through in this valentine.
Another great valentine in the collection entitled, “Her Choice This Year”, ties the romantic love normally associated with Valentine’s Day with love of country. Ade’s poem reads:
Columbia wants you to know,
That you’re her particular beau.
She’s likewise “particular.” So
That’s why you’ve been picked as her beau.
The young woman, aptly named Columbia, holds the hand of her uniformed soldier as he looks at her lovingly. She’s also dressed in a shirt and skirt of the red, white, and blue with a pair of roman sandals. And of course, McCutcheon’s iconic dog looks up at them in the foreground. This valentine exhibits the strong patriotic fervor during the period, but in a charming, homespun way.
The next valentine captures a woman’s longing for her partner who is off at war. Named “Some One Has Not Forgotten,” it depicts a young woman knitting in a chair while thinking of her partner trekking across Europe in a snowstorm. Here’s Ade’s text with the valentine:
My heart to-day
Is far away
Across the rolling brine.
So while I sit
And knit and knit
You’re still my valentine.
This depiction of men and women evokes a more traditional assumption of gender during the period than say “Columbia” and her beau above. The woman’s thoughts of her partner, floating above her head and colorless, attempt to convey the arduous and grim task of war. In contrast, McCutcheon’s drawing of the young woman is clear and with beautiful coloring. Ade and McCutcheon’s valentine cleverly renders the feelings of many young women while their partners were at war.
The final valentine in the digital collection is called, “To You Somewhere,” and it depicts one of Valentine’s Day’s most enduring symbols, Cupid. In this version, a nude Cupid braves the cold weather to deliver a valentine to a soldier in the snow. The message reads:
I don’t know just where you are to-day,
I don’t know how many miles away;
Whether you’re out where the bullets fly,
Or safe and sounds at the good old “Y.” [Y.M.C.A]
I have no message from o’er the sea
To let me know that you think of me,
But I’ll make an oath and my name I’ll sign,
That you are my only Valentine.
The soldier’s delight at receiving the message from a saluting cupid is evident. He even has his gun down and his hands up, perhaps in surprise that the symbol of love is in a war zone, or perhaps the soldier is in the act of accepting the valentine from Cupid. Of the four digitized valentines, this is the only one without a female main subject, despite the text being from the soldier’s love. It shows the perspective of the soldier receiving a valentine, rather than a woman creating or imagining one.
The New York Times recently ran a piece about its long and interesting history of wedding notices, specifically its first notice published on September 18, 1851. Sarah Mullett and John Grant were married by the Reverend Thomas P. Tyler at Trinity Episcopal Church in Fredonia, New York on September 10, 1851. It got us at Hoosier State Chronicles thinking about wedding notices in our neck of the woods. Throughout the decades, newspapers from all across Indiana published wedding notices, sometimes before the wedding and sometimes after, and occasionally with extended coverage of the ceremony. In this blog, we will take you through a few notices to give you a sense of how Indiana newspapers covered Hoosiers tying the knot.
One of the earliest wedding notices that we found came from the Vincennes Indiana Gazette on October 23, 1804, before Indiana’s statehood. During these early years of Indiana papers, the wedding notices were fairly basic, often only sharing the exact details of the wedding and nothing else. Here’s the exact text from the Indiana Gazette:
MARRIED, On Sunday evening last, Mr. John M’Gowan to the amiable Miss Sally Baltis, both of this county [Knox County].
Besides the word “amiable,” this notice contains very little information, despite the couple being local. Similar wedding notices were published in the Vincennes Western Sunin 1810 and 1814 and the Charlestown Indiana Intelligencer in 1825.
Early Indiana papers also published breaches of marriage. For example, a piece in the December 14, 1816 issue of the Western Sun noted that a “breach of marriage promise, between Margaret Logan, plaintiff, and Rob[er]t Gray defendant, was yesterday tried in the Court of Common Pleas of this county [Knox County].” The trial resulted in a “verdict for $1,000 [in] damages—the sum claimed in the declaration,” likely going back to Logan.
Another common tradition in the early years of wedding notices was the use of the subheading “hymeneal,” meaning “nuptial.” Sadly, one of the early uses in the Indiana Republican misspelled the word as “hymenial,” which is a type of fungus. Nevertheless, papers like the Republican used the term during the early half of the nineteenth century, as a way to group a few wedding notices into a single piece. The Republican hymeneal from 1817 (with the misspelling) provided notices for two weddings, separated by an anonymously authored poem:
Not Eden with its shades and flowers,
Was Paradise till women smil’d; –
Then what’s this dreary world of ours,
Without creation’s loveliest child.
In an April 27, 1838 issue of the Brookville American, another Hymeneal, spelled right this time, ran on the third page. Four separate weddings from both Indiana and Ohio make up the column. One particular wedding announcement went out late, so it came with an “apology to the parties . . . that it was mislaid.”
By the 1870s and 1880s, the notices kept the same style but lost some the century’s earlier pretensions. For example, the term “hymeneal” went to the wayside, in favor of a more generic “announcements” section. This is exactly how the Indianapolis News published a wedding notice in its February 12, 1885 issue.
That’s not to say there were not outliers. One of the most interesting newspapers available in Hoosier State Chronicles is the Smithville-based Name It and Take It!. A rather obscure paper, it only ran a few months in 1897 before folding. In the June 25, 1897 issue, a wedding noticed was published under the heading of “ROMANTIC!”, the use of an exclamation point being the standard practice on nearly every piece in the notices section. “The Rev. A. S. [Alexander “Sandy”] Baker married a couple on short notice last Saturday, in the clerks [sic] office at Bloomington. The contracting parties were: John Worley, and Catherine Adams,” the paper reported. Based on the exclamation point heading, the paper wanted you to be as excited for the couple as they apparently were.
By the early 20th century, some wedding pieces became slightly more irreverent, like human interest stories you might read in your local paper. In the July 16, 1908 issue of the Richmond Palladium, an article ran entitled “Married in Shirt Waist and Skirt.” Ted Hall, “a young business man of St. Louis,” arrived in the city, quickly proposed to “Miss Nettie Lamar,” and they were married the same day. As the paper noted, the “ceremony was set in such a short time that the bride had to be married in shirt waist and skirt.” This would be the equivalent of a young lady getting married in a pair of capris and a t-shirt today, which is quaint, even charming.
The Indianapolis News during the 1910s provided a large section of its paper to marriage notices, with notifications from all over the state. This trend continued well into the 1920s, as exemplified in an April 29, 1929 issue of the Greencastle Herald. One particular nicety that the Herald extended to the newly-wedded couples was delaying the publication of the notices, after an arrangement with the county clerk.
Other newspapers gave their wedding notice section clever titles. In a 1939 issue of the Indianapolis Recorder, the paper named its section “In Dan Cupid’s Files,” and provided nine separate notices (one was an engagement). One interesting notice noted that “Miss Ella Louise Freeman and L. C. Phelps were secretly married in Chicago” the previous March and then intended to “reside in Philadelphia.” This notice brings up so many questions. Why were they “secretly married?” What necessitated that chain of events? How did their parents feel about it? These would be great topics of research for a more in-depth analysis of wedding notices. However, that is outside the scope of this short tour.
Some wedding notices were so detailed that they warranted a front-page publication. This was the case with a notice published in the August 16, 1940 issue of the Dale News. Robert J. Lubbehusen, a U. S. Navy officer, and Miss Frances Fuchs, “second daughter of Mr. and Mrs. Ed Fuchs of St. Meinrad, Ind.” were “quietly married in the Abbey Church” in St. Meinrad. The unincorporated community of St. Meinrad houses a monastery and church for Benedictine monks. As their website describes, “Saint Meinrad Archabbey was founded in 1854 by monks from Einsiedeln Abbey in Switzerland. They came to southern Indiana at the request of a local priest who was seeking help to serve the pastoral needs of the growing German-speaking Catholic population and to prepare local men to be priests.” The small town newspaper published this notice on the first page, which was probably otherwise a slow news week. Additionally, Lubbenhusen’s active service in the Navy, roughly a year out from American involvement in WWII, may have inspired a front-page notice.
By the 1950s, photographs became a more standard practice for wedding notices in Indiana papers. The Jewish Post ran a full-page wedding notices section with mostly photographs of happily-wedded couples either leaving on their honeymoon, walking down the aisle together after the ceremony, or cutting their cake. Alongside the couples, the Post also published the names of their photographers, Miner-Baker and Julius Marx. Not only did this give credit where credit was due, but it was great advertising for the photographers. Engaged couples could see these nice photos in the paper and then follow up with Marx or Miner-Baker to have them photograph their unions. The wedding notice as advertisement represents another interesting development in Indiana wedding notices.
The last three wedding notices on this tour of history, from the 1960s, 70s, and 80s respectively, indicate that while wedding notices have changed since the beginning of Indiana’s history, they maintained a basic structure. The September 23, 1960 page of wedding notices from the Jewish Postprovided the same familial and logistical information, but it also included details on the bride’s dress. The bride, Elayne Rosanne Kroot:
. . . appeared in a formal-length gown of pure silk peau de soie of ivory color, trimmed with re-embroidered hand-clipped Alencon lace highlighted by matching seed pearls and crystals forming an Empire bodice.
This notice’s level of detail contrasted the more direct, less detailed notice for another couple on the same page. (The wedding notice in the August 24, 1979 Jewish Post also displays a shorter, more direct style.) This contrast suggests a subtle distinction of class, where the longer, more detailed notice cost more to publish than the shorter notice. Again, this would be a great avenue for future research.
Our last notice page comes from the June 23, 1984 issue of the Indianapolis Recorder. These notices might be the most complete notices we will unpack in our journey. The notices are detailed, with logistical information, details on the bride’s dresses, the musical arrangements (including songs played), and a rough timeline of the entire ceremony and reception. These were also paired with photographs of the happy couples. To see the most modern representation of wedding notices, this is one of the best examples from Hoosier State Chronicles.
With that, our trip though Indiana’s wedding notices has come to an end. If you’d like to see more notices, head over to Hoosier State Chronicles. If you search “wedding” or “married,” you get literally thousands of hits, from nearly 200 years of Indiana newspapers. There’s certainly more than a fair share of Hoosier weddings to explore.
This month, the Indiana Historical Bureau is focusing on the history and culture of Allen County, Indiana. Here at Chronicles, we thought it would be an apt time to share some of Allen County’s newspaper history.
Fort Wayne, Allen County’s central city and the second-largest city in Indiana, produced most of the county’s newspapers. Thomas Tigar and Samuel V. B. Noel founded the Fort Wayne Sentinel, publishing its first issue on July 6, 1833. The Sentinel’s two publishers came from completely opposite political backgrounds. Tigar’s views aligned with the Democratic Party while Noel identified as a Whig. So, in an effort to avoid political conflicts, the paper initially started as an independent publication. Over the decades, the Sentinel changed hands and political affiliations routinely. For example, when Noel sold his stake to Tigar, it became a Democratic paper; when Gordon W. Wood owned it in the late 1830s, it switched to a Whig perspective. After decades of mergers, name changes (it was called the Times-Sentinel for a while), and multiple owners, the Sentinel merged with the daily News in 1918 and became the Fort Wayne News-Sentinel, the name it is still published under today.
As for the News, William P. Page and Charles E. Taylor founded the Republican-leaning daily in 1874. Page made a 28-year career at the News, overseeing the development of weekly and daily editions. In 1902, he sold the paper to a partnership of entrepreneurs incorporated under the aegis of the News Publishing Company. This ownership maintained the paper until 1918, when it merged with the aforementioned Sentinel. Other notable Fort Wayne papers include the dailies Gazette (1863–1899), Journal (1881–1899), and Times (1855–1865).
Alongside all of its newspapers, Fort Wayne produced two of the twentieth century’s most prominent publishers. William Rockhill Nelson, born in Fort Wayne on March 7, 1841. Nelson studied at Notre Dame (he did not graduate) and earned admittance to the bar in 1862, before he decided to enter the newspaper business. He and his business partner Samuel E. Morss purchased the Fort Wayne Weekly Sentinel in 1879 and published it for around nine months. From there, Nelson followed the old maxim “go west young man,” and he and Morss moved to Kansas City, Missouri. Nelson and Morss founded the Kansas City Evening Star in 1880. By 1885, the newly-renamed Kansas City Star became one of the Missouri’s most widely-read papers in the state. By the time of his death in 1915, Nelson’s estate totaled $6 million and his family ensured that his wealth supported the creation of the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, which opened to the public in 1933.
As for Morss, he sold his stake of the Star to Nelson within a year and a half. After traveling in Europe, he returned to the US and spent a few years as an editor at the Chicago Times. He came back to Indianapolis in 1888, to purchase and run the Indiana State Sentinel. He maintained his position with the Sentinel, with the exception of serving as Consul-General of the United States to France under President Grover Cleveland, until his death in 1903. Unexpectedly, he died after a fall from the third-story window of his Sentinel office, likely the result of a heart attack.
George Jean Nathan, another native of Fort Wayne, played a key role in the literary life of Americans during the 1920s and 30s. Born in 1882, Nathan spent his early years in Fort Wayne before he moved east, to study at Cornell University (he graduated in 1904). Nathan’s most enduring legacy stemmed from his relationship with noted journalist and provocateur H. L. Mencken. Nathan served as the co-editor with Mencken of the Smart Set from 1914-1923. They then founded the American Mercury, a magazine of literature, political commentary, and satire, in 1924. Nathan contributed drama criticism, particularly his views on playwrights such as Eugene O’Neill, Henrik Ibsen, and George Bernard Shaw, for the Mercury as well as his own publication, Theatre Book of the Year. He died in 1958.
The Indianapolis Times began publication as the Sun in 1888, described by the Ayer’s newspaper directory as the “only one-cent paper in Indiana.” Fred L. Purdy served as its first editor and owned a minority stake in its publishing; J. S. Sweeney owned the majority stake. It ran daily under this title until 1899 and its circulation grew to 12,823 by 1898. In 1899, it was renamed the Indianapolis Sun and continued its daily publication. During this time, it also maintained a professional partnership with the Scripps-McRae wire service out of Cincinnati, Ohio.
In 1922, Scripps-Howard publishing purchased the Times and it was renamed the Indianapolis Times, the title it kept until it ceased publication in 1965. Roy W. Howard served as the president of Scripps-Howard publishing from 1922-1964, overseeing not only the Times but the United Press International worldwide wire service. Alongside in-house journalism by Times staff, many articles published during this period came from the Scripps-Howard wire service, Newspaper Enterprise Association.
During the 1930s, the Times advocated for children’s needs, raising money for charities that supplied coats and other clothing items to children hit hard by the Great Depression. In the recession of 1961-62, the Times helped 4,000 Indiana residents find jobs through its publishing of free employment ads. Alongside its Klan coverage, the Times also covered multiple scandals, from corruption in the state’s highway fund and voter fraud in congressional districts to exposing falsely reported Indianapolis crime statistics. It even published coverage during the 1960s that advocated for better lunches in public schools, through the use of the federal school surplus program.
Despite its successful journalism and philanthropy, the Times lacked the resources and circulation to compete with Indianapolis’s rival dailies, the News and the Star. On October 11, 1965, the Indianapolis Times ran its final issue and suspended publication. Its final daily circulation totaled 89,374, with a Sunday circulation of 101,000.
While the Indianapolis Times ceased publication over 50 years ago, it maintains a legacy of good journalism and civic integrity. Due to its immense impact on the community, the Indiana Historical Bureau shared the newspaper’s history with future generations of Hoosiers via a historical marker originally placed in 1979, and replaced in 2013.