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John T. McCutcheon’s Wartime Valentines

2017 marks the centennial of US entry into World War I. As a part of that commemoration, the Indiana WWI Centennial Committee has planned educational events and programs throughout the year that will unpack the Hoosier State’s involvement in the “Great War.” Here at Hoosier State Chronicles, we thought it would be a great time to share a different side of Indiana culture during this immense, global conflict, in the form of cartoons. John T. McCutcheon and Kin Hubbard are two of Indiana’s most celebrated cartoonists from the era, and in two posts this month for Hoosier State Chronicles, we will share how their art helps us understand how the home front viewed this integral time in world history. The first post covers the “wartime valentines” of John T. McCutcheon.

Cartoonist John T. McCutcheon, Hammond Times, December 26 1918. Hoosier State Chronicles.

John T. McCutcheon was a Pulitzer-Prize winning cartoonist for the Chicago Tribune, where he worked for 43 years. Born in South Raub, Tippecanoe County, Indiana on May 6, 1870, McCutcheon grew up “in the rural areas surrounding Lafayette.” He attended Purdue University where he was “a founding member of the University’s first fraternity, Sigma Chi” and the “co-editor of the University’s first yearbook, the Debris.” After graduating college in 1889, he worked as a cartoonist for the Chicago Morning News and Record-Herald until he moved to the Tribune in 1903. His artistic style mirrored his experiences growing up the Midwest; he developed a character called “A Boy in Springtime” who would appear in front-page pieces having small-town fun with friends and his dog (the dog first appeared in a William McKinley presidential campaign cartoon, and became much beloved by readers). As R. C. Harvey of the Comics Journal noted, McCutcheon’s cartoons were “the first to throw the slow ball in cartooning, to draw the human interest picture that was not produced to change votes or to amend morals but solely to amuse or to sympathize.”

George Ade, Indianapolis News, May 20 1902. Hoosier State Chronicles.

Paralleling his more personable cartoons, McCutcheon partnered with another Hoosier author, George Ade, to create a series of valentines for charity during World War I. The idea originated from the Indianapolis Branch of the American Fund for French Wounded and its contributors were a who’s who of Indiana arts, including Ade and McCutcheon as well as Meredith Nicholson, Kin Hubbard, and William Herschell. As reported in the South Bend News-Times on January 28, 1918, “Prominent Indiana artists and authors this year have been making comic valentines . . . and are guaranteed by those who have seen them to send grins and cheer to soldiers at home and abroad.” The article also outlined the American Fund for French Wounded, noting that “the proceeds will go for furthering the work in France among wounded soldiers and destitute families, which is the committee looking after the funds is carrying on.” Ads even ran in the Indianapolis News to promote the Valentines, published by Charles Mayer & Company, once they were available.

Indianapolis News, February 5, 1918. Hoosier State Chronicles.

Four of McCutcheon and Ade’s valentines are publicly available through Indiana Memory/Digital Indy and the Digital Public Library of America.

George Ade and John T. McCutcheon,”From Her Mother.” IMCPL/Digital Indy.

The first valentine in the digital collection, entitled “From Her Mother”, shows a concerned mother writing to a “Mr. Soldier Man” while a variant of McCutcheon’s iconic dog looks on in the background. The photos on and above the desk in the cartoon are important to context, as the photos of the mother’s daughter and her soldier beau face each other longingly, while a portrait of the mother sternly oversees over both of the photos. In the cartoon, the mother’s letter reads:

Mr. Soldier Man.

       Dear Sir:

                I can not send what my daughter wrote,

               It might set fire to the darned old boat.

                                         Yours truly,

                                                – The Night Watch.

The mother’s face shows a concern not only for her daughter’s overly passionate words. McCutcheon’s style of strong lines and warm, humane features also comes through in this valentine.

George Ade and John T. McCutcheon, “Her Choice This Year.” IMCPL/Digital Indy.

Another great valentine in the collection entitled, “Her Choice This Year”, ties the romantic love normally associated with Valentine’s Day with love of country. Ade’s poem reads:

Columbia wants you to know,

That you’re her particular beau.

She’s likewise “particular.” So

That’s why you’ve been picked as her beau.

The young woman, aptly named Columbia, holds the hand of her uniformed soldier as he looks at her lovingly. She’s also dressed in a shirt and skirt of the red, white, and blue with a pair of roman sandals. And of course, McCutcheon’s iconic dog looks up at them in the foreground. This valentine exhibits the strong patriotic fervor during the period, but in a charming, homespun way.

George Ade and John T. McCutcheon, “Some One Has Not Forgotten.” IMCPL/Digital Indy.

The next valentine captures a woman’s longing for her partner who is off at war. Named “Some One Has Not Forgotten,” it depicts a young woman knitting in a chair while thinking of her partner trekking across Europe in a snowstorm. Here’s Ade’s text with the valentine:

My heart to-day

Is far away

Across the rolling brine.

So while I sit

And knit and knit

You’re still my valentine.

This depiction of men and women evokes a more traditional assumption of gender during the period than say “Columbia” and her beau above. The woman’s thoughts of her partner, floating above her head and colorless, attempt to convey the arduous and grim task of war. In contrast, McCutcheon’s drawing of the young woman is clear and with beautiful coloring. Ade and McCutcheon’s valentine cleverly renders the feelings of many young women while their partners were at war.

George Ade and John T. McCutcheon, “To You Somewhere.” IMCPL/Digital Indy.

The final valentine in the digital collection is called, “To You Somewhere,” and it depicts one of Valentine’s Day’s most enduring symbols, Cupid. In this version, a nude Cupid braves the cold weather to deliver a valentine to a soldier in the snow. The message reads:

I don’t know just where you are to-day,

I don’t know how many miles away;

Whether you’re out where the bullets fly,

Or safe and sounds at the good old “Y.” [Y.M.C.A]

I have no message from o’er the sea

To let me know that you think of me,

But I’ll make an oath and my name I’ll sign,

That you are my only Valentine.

The soldier’s delight at receiving the message from a saluting cupid is evident. He even has his gun down and his hands up, perhaps in surprise that the symbol of love is in a war zone, or perhaps the soldier is in the act of accepting the valentine from Cupid. Of the four digitized valentines, this is the only one without a female main subject, despite the text being from the soldier’s love. It shows the perspective of the soldier receiving a valentine, rather than a woman creating or imagining one.

During a time of immense destruction, political revolutions, and domestic instability, Ade and McCutcheon’s valentines provide us with a more homespun, sometimes humorous, quaint and patriotic view of the home front during World War I.

 

Lew Wallace and the Circassian Girl Hoax

an_odalisque_joseph_douglas

In the early 1880s, Indiana’s great novelist and war hero, General Lew Wallace, author of the bestselling Ben-Hur, got caught up in one of the more trumped-up tales of nineteenth-century journalism — a story which, it turns out, has an incredibly bizarre “cousin” today. The mildly erotic tale begins around 1883, when Wallace was a well-known American public figure.  To quickly recap his bio: son of Governor David Wallace of Indiana, the “militant romantic” had served in the worst battles of the Civil War; sat on the trials of the Lincoln conspirators and Henry Wirz, the Swiss-born Confederate commander of Andersonville prison; fought as a Juarista general in the Mexican Army during the French invasion of 1865; and as Territorial Governor of New Mexico, he helped reign in the outlaw Billy the Kid.

Slowly propelled to greater fame when the novel Ben-Hur came out, Wallace  went to Constantinople in 1881 as U.S. Minister to the Ottoman Empire.  The general and his wife, writer Susan Wallace, were ardent Orientalists. Yet Ben-Hur, set in Palestine, was published a year before they ever saw the Middle East, its description based on research in the Library of Congress.  The couple traveled around the eastern Mediterranean.

During his four years as an American diplomat in Constantinople, the Hoosier writer became close friends with Ottoman Sultan Abdül Hamid II — though Wallace famously became “the first person to demand that the sultan shake his hand.”  When Grover Cleveland was elected U.S. President in 1884, Wallace’s term ended.  Abdül Hamid tried to get his friend to stay on and represent Turkish interests in Europe.  Wallace, instead, came home to Montgomery County.


       feb14lewwallace      Sultan Abdul Hamid II


Lew Wallace Autobiography

(Lew Wallace described watching a Turkish infantry and Circassian cavalry drill with the Ottoman Sultan in his Autobiography, published in 1906.)


The gossip mill, however, was already rolling years before Wallace sailed home to the States.  As early as September 2, 1882, the Terre Haute Saturday Evening Mail reprinted a dramatic story from The Wasp, San Francisco’s acerbic satirical weekly perhaps best-known for its lurid political cartoons attacking Chinese immigration to the West Coast.  (The Wasp has been called California’s version of Puck).

“An Unwelcome Present” was syndicated in other papers as far away as New Zealand and often got subtitled along the lines of “What the General’s Wife Thought of the Sultan’s Present.”

As far as I can tell, the tale first originated in the pages of The Wasp on August 5, 1882, where it ran under the title “That Present.”  What I find especially fascinating is that the magazine’s editor from 1881 to 1885 was no less than the sardonic Hoosier cynic Ambrose Bierce, whose Devil’s Dictionary had its genesis as a column in the California weekly.

Ambrose Bierce in Civil War

Like Wallace, Bierce fought at the terrifying Battle of Shiloh in 1862, serving as First Lieutenant in the ranks of the Ninth Indiana Infantry.  During his days as a journalist, Bierce also worked for William Randolph Hearst at The San Francisco Examiner.  To sell papers, the newspaper giant “routinely invented sensational stories, faked interviews, ran phony pictures and distorted real events.”


The Wasp August 2 1882
Collections of the California State Library at www.archive.org.

Did Bierce pen some “yellow journalism” about Lew Wallace and a Turkish harem girl?  I wouldn’t put it past him.  The Wasp’s  editor was one of the biggest misogynists of his day and took constant swipes at women.  To me, “An Unwelcome Present” sounds like one of Bierce’s tales or epigrams about the diabolical battle between the sexes, which he always portrayed as just slightly less gory than the bloodbath he and Wallace survived at Shiloh.  In any case, the gossipy piece about his fellow Hoosier got published on Ambrose Bierce’s editorial watch.

Here’s the whole comic tale as it appeared on the front page of the Terre Haute Saturday Evening Mail:

An Unwelcome Present (1)

An Unwelcome Present (2)

An Unwelcome Present (3)

Writer and poet Susan Wallace, who grew up in Crawfordsville and married Lew in 1852, had no reason to fear her husband would take up with a concubine.  Yet Circassian beauties were all the rage during the long heyday of Orientalism.

The exotic Circassian mystique had been around for many decades.   Inhabiting the Caucasus Mountains at the eastern end of the Black Sea near Sochi (the site of the 2014 Winter Olympics), Circassians were hailed by 19th-century anthropologists as the apogee of the human form.  “Circassophilia” churned out many exotic myths about these people in Europe and America.  During the Enlightenment, the French writer Voltaire popularized a belief that Circassian women were the most beautiful on earth, “a trait that he linked to their practice of inoculating babies with the smallpox virus.”  In the 1790s, the invention of the so-called “Caucasian” race occurred when Johann Friedrich Blumenbach, one of the founders of physical anthropology, compared the anatomy of the beautiful, martial Circassians of what became North Turkey and southern Russia with the rest of humanity and categorized the mountain folk as the least “degenerate” humans.

Yet by the time of Wallace’s tenure in the Middle East in the 1880s, these tough mountaineers had been subdued by the Russians and Ottomans after long years of bloody warfare.  Legends about dazzling Circassian beauties abounded even as Circassia itself disappeared from the map.  One popular story went that the main source of wealth for fathers in the region was their breathtakingly beautiful daughters, whom they sold off to Turkish slave markets, though as writer in The Penny Magazine thought in 1838, Circassian women were “exceedingly anxious to be sold,” since life in a Turkish harem was “preferable to their own customs.”  In Constantinople, they were highly prized in harems — not to be confused with Western prostitution.  American abolitionist and women’s rights activist Lydia Maria Child devoted a chapter to Circassia in her 1838 History of the Condition of Women.


Circassian Cream
(Women from the Caucasus were known for their luxuriant hair and fueled idealized notions of female beauty in the West. So-called Circassian hair oils, dyes, and creams were enormously popular at the time of the American Civil War.)

circassian women 2
A photo of Circassian beauties, circa 1880.

The horrible trade in female slaves from the Caucasus was alive and well in the mid-1800s, when an alleged glut in the market led to their devaluation.  Good timing for American circus mogul P.T. Barnum.  In May 1864, he wrote to one of his employees, John Greenwood, who had traveled to Ottoman Cyprus to try to buy a Circassian girl on Barnum’s behalf.  Over a year after the Emancipation Proclamation in America, the circus owner wrote:

I still have faith in a beautiful Circassian girl if you can get one very beautiful. But if they ask $4000 each, probably one would be better than two, for $8000 in gold is worth about $14,500 in U.S. currency. So one of the most beautiful would do. . . But look out that in Paris they don’t try the law and set her free. It must be understood she is free. . .  Yours Truly, P.T. Barnum

Barnum’s fascination with acquiring and exhibiting women in his shows took on the elements of a personal erotic and racial fantasy.  Though most were “local girls,” as newspapers knew, Barnum billed his “Circassians” as escaped sex slaves and “the purest specimens of the white race.”  Figments of Barnum’s imagination, these women joined the ranks of the dime-show freaks, part of the offbeat spectacle of bearded ladies, sword-swallowers, and snake-handlers that drew in paying crowds.  Barnum’s harem girls enhanced their hair with beer to create a farfetched “Afro” look.


Circassian Girl - Matthew Brady New York 1861
Daguerreotype of a “Circassian beauty” by Matthew Brady, New York, circa 1861. These intentional freaks dressed in the very opposite attire of their modest Central Asian “sisters.”

Circassian Girl ad
(A major feature of the post-bellum American sideshows, Barnum’s racial and sexual fantasies showed up on postcards, cigarette advertisements, and fliers. An impressive gallery of “Moss-Haired Girls,” as these women were called, has been collected online at Sideshow World.

This was not the kind of Circassian girl alleged by a “yellow journalist” to have been bestowed to Lew Wallace in Turkey. On the eve of his return to America, the General tried to clear things up with the press.  The Indianapolis Journal carried this twist in the story on June 30, 1884:

Lew Wallace - That Circassian Girl - Indianapolis Journal June 30 1884The website of the General Lew Wallace Study and Museum in Crawfordsville gives a slightly different perspective altogether:

As his tour of duty as envoy extraordinary and minister plenipotentiary to the Ottoman Empire came to an end in 1884, Lew Wallace was offered a number of gifts from his friend, Sultan Abdul Hamid II. These included Arabian horses, jewels, and works of art. As a representative of the government of the United States, Wallace graciously declined these expressions of friendship and gratitude. According to legend, as Wallace closed his office and packed his residence, the Sultan was able to secretly include the painting called The Turkish Princess, some elaborate carpets and a few other items in the shipping crates. The crates were delivered to Crawfordsville before Lew and Susan returned home. These items sent by the Sultan remained undiscovered by Wallace until he was back in Crawfordsville and opened the crates. The Turkish Princess, said to be one of the Sultan’s daughters, remains one of the highlights of the Study.

Wallace’s biographers Robert and Katharine Morsberger add a further note: “Malicious gossip-mongers claimed that the sultan had also provided Wallace a Circassian slave girl for his carnal pleasures and commiserated with Susan Wallace on her husband’s alleged concubine.  Both the sultan and the American minister had too much honor and mutual respect for such an arrangement.”


Lew Wallace Stuy
(The Turkish Princess, by Austrian Orientalist painter Leopold Müller, is the real Circassian girl and hangs in Wallace’s study in Crawfordsville to this day.)

Notable Hoosier Obits: William Merritt Chase

Today in history, on October 25, 1916, American Impressionist William Merritt Chase died.  Chase was born in 1849 in Williamsburg (now Ninevah), Johnson County, Indiana.  He spent some of his youth in Indianapolis before pursuing an art career in New York City, St. Louis, and Europe.

Two of his obits can be accessed in Chronicling America below.

Washington Times, October 26, 1916. Chronicling America.
New York Tribune. October 27, 1916. Chronicling America.